you’re my dearest friend and enemyyou belong with melike young love belongs to spring
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"I Love Him, Father, I Truly Truly Do, I Love Him As Much As Queen Naerys Loved Prince Aemon The Dragonknight
"I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight […]" (Sansa III, AGOT) “Wed?” Sansa was stunned. “You and my aunt?” “The Lord of Harrenhal and the Lady of the Eyrie.” You said it was my mother you loved. But of course Lady Catelyn was dead, so even if she had loved Petyr secretly and given him her maidenhood, it made no matter now. (Sansa VI, ASOS)
I find that these little passages reveal something interesting about sansa's personality. specially when you juxtapose how she's characterized in the text and her worldviews here, and how at first glance they may seem contradictory. but first, let's take two things into account:
the patriarchal society of westeros is very strict on women's sexuality. which means that not only is female virginity held in great value, but also female adultery is very firmly condemned by everyone, unlike men who are allowed to maintain public mistresses and flaunt their bastards everywhere.
sansa is characterized as the conformist, the one who internalizes her society's rules. she's very religious, she's a proper lady in every sense of the word and she often says and does exactly what she's told.
and yet, in these passages we can see that sansa does not care much about societal rules when it comes to intimate feelings. she often hails aemon and naerys' (supposed) forbidden love without a single care that queen naerys was bound by duty to a husband and aemon was meant to be loyal to his king. but most astonishing of all is her nonchalant response to petyr's (false) information that her mother was not a virgin when she married. on one hand it may speak on sansa's views towards women's sexuality, since her current friends (mya and randa) are girls who engage in sex out of wedlock, and she never judges them, just like she doesn't judge her mother for apparently doing the same, and catelyn continues to be the person she admires the most. sansa also doesn't view her parents' relationship any differently because of this, the marriage between ned and cat is still as happy as she remembers, because all that matters to her is that there was love in the home she grew up in. the thing about sansa's character is that she plays by the rules up until a certain point, but on the inside she always prioritizes emotion over societal norms, and that's why she looks more upset at petyr for marrying someone while claiming to love another, because in her mind he's being unfaithful to his heart by marrying out of practicality. we have examples that showcase sansa's prioritizing feelings in AGOT when she, the good daughter, disobeys her father for the first time because she thought she was in love with joffrey, and in ASOS where she never thinks she owes tyrion anything just because he's her husband. so it comes as no surprise that she's so infatuated with the love story of an adulterous and incestuous relationship like aemon and naerys'. one of the main themes in this series is that feelings don't care about honor. and if love is the death of duty then sansa seems more than happy to see duty killed for the sake of love.
of course this doesn't mean she'll stay that way, specially when she's already lost her so much of her innocence and is now tangled in petyr's schemes where she must set her own feelings aside in order to act on his plans. and despite her silent judgement of petyr marrying someone he didn't love, her current betrothal with harry is an entirely practical union on her part since she feels nothing for him and only sees him as a means to an end. there have been many instances since book 1 where she was able to turn off her feelings in order to withstand certain situations. so... what even is sansa's mind? an interesting universe on its own for sure.
I just think sansa's romanticism is one of her most interesting traits (for better and for worse), something that truly contributes to the distinctiveness of her character, and I really hope petyr or anyone else are unable to completely kill that in her.
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HOUSE OF THE DRAGON (2022–) “Driftmark” written by Ryan Condal & Kevin Lau