Important Ideas To Consider When Creating Characters Who Are Black And Indigenous People Of Color. (x)

Important ideas to consider when creating characters who are black and indigenous people of color. (x)

it's interesting to me that torture just works to us, as a literary device. It's everywhere in movies and stories and whatnot, from big-budget dramas to little grindhouse short stories. It fits neatly into the requirements of plot: character doesn't want to offer information, Gets Tortured, has to offer information.

the issue with this is that it isn't how it works.

torture is a display of power. It fouls interrogation, this is known; a person being tortured will tell you whatever you want to hear to make it stop, which is more often than not a lie, made up on the spot, or if the truth an incomplete and useless version of it. It isn't generally done for information's sake anyway, but as a form of what the ancient Greeks called hybris, the violent exhibition of your power over another person.

This is, every once in a great while, done right in fiction, but it's a challenge to write vs. the idea that it's a shortcut to one character revealing plot-critical information to another. Pretty much every form of torture works this way, even the ones that are legally permissible. Psychological torment or physical discomfort also produce an animalistic desire to escape harm and foul interrogation. The forms of torture the cops can do? The cops do it not to gain information (or if they think it will, they're lying to themselves) but because it makes them feel powerful.

There's probably a master's thesis in it for somebody studying the rise of torture as a plot device since the beginning of the war on terror and the contemporaneous development of the Broken Windows theory of policing. I'm not really aware of any similar level of disconnect between what Works in fiction and what happens in real life!

cruelty is so easy. youre not special for choosing it

Hot take: Actual literary analysis requires at least as much skill as writing itself, with less obvious measures of whether or not you’re shit at it, and nobody is allowed to do any more god damn litcrit until they learn what the terms “show, don’t tell” and “pacing” mean.

I bring a real "many female characters also have these traits you love male characters for" and "many of your fave male characters have done the same things you hate female characters for" vibe to the conversation they female character haters don't enjoy

If You’re Gonna Make Something Wheelchair Accessible, Don’t Make it a Thing

Here’s some examples awkward accessibility being a thing:

Your at a hotel that has a lift to get you from one sub-floor to another, but the lift can only be unlocked and operated by one specific person that the hotel now has to go find. Sure, they’ve made the entrance to the sub-floor is accessible, but now it’s a thing.

The buses are wheelchair accessible but the driver has to stop the bus, take 30 seconds to lower the goddamn ramp, move passengers out of their seats, hook up the straps and then secure you in the bus. Sure, they’ve made the busses accessible but now it’s a thing.

The restaurant has an accessible entrance, but it’s past the trash room and through the kitchen. Sure, the restaurant is accessible, but now it’s an insulting thing.

Here’s some great examples of accessibility not being a thing:

The train to the airport pulls up flush with the platform. I board with everyone else and sit wherever the fuck I want. Riding the train is accessible and not a thing.

In Portland, I press a button the side of the streetcar and a ramp automatically extends at the same time the door opens. I board in the same amount of time as everyone else. This is not a thing.

I get that it is difficult to design for wheelchair accessibility, but folks need to start considering the overall quality of the experience versus just thinking about meeting the minimum requirements.