Sarah Bernhardt (1844-1923), Ophelia (detail).

Sarah Bernhardt (1844-1923), Ophelia (detail).

“In 1984, when Ruth Coker Burks was 25 and a young mother living in Arkansas, she would often visit a hospital to care for a friend with cancer.

During one visit, Ruth noticed the nurses would draw straws, afraid to go into one room, its door sealed by a big red bag. She asked why and the nurses told her the patient had AIDS.

On a repeat visit, and seeing the big red bag on the door, Ruth decided to disregard the warnings and sneaked into the room.

In the bed was a skeletal young man, who told Ruth he wanted to see his mother before he died. She left the room and told the nurses, who said, “Honey, his mother’s not coming. He’s been here six weeks. Nobody’s coming!”

Ruth called his mother anyway, who refused to come visit her son, who she described as a “sinner” and already dead to her, and that she wouldn’t even claim his body when he died.

“I went back in his room and when I walked in, he said, “Oh, momma. I knew you’d come”, and then he lifted his hand. And what was I going to do? So I took his hand. I said, “I’m here, honey. I’m here”, Ruth later recounted.

Ruth pulled a chair to his bedside, talked to him

and held his hand until he died 13 hours later.

After finally finding a funeral home that would his body, and paying for the cremation out of her own savings, Ruth buried his ashes on her family’s large plot.

After this first encounter, Ruth cared for other patients. She would take them to appointments, obtain medications, apply for assistance, and even kept supplies of AIDS medications on hand, as some pharmacies would not carry them.

Ruth’s work soon became well known in the city and she received financial assistance from gay bars, “They would twirl up a drag show on Saturday night and here’d come the money. That’s how we’d buy medicine, that’s how we’d pay rent. If it hadn’t been for the drag queens, I don’t know what we would have done”, Ruth said.

Over the next 30 years, Ruth cared for over 1,000 people and buried more than 40 on her family’s plot most of whom were gay men whose families would not claim their ashes.

For this, Ruth has been nicknamed the ‘Cemetery Angel’.”— by Ra-Ey Saley

What are your thoughts on recent AI models such as *unnamed*, a 'service' that is basically ChatGPT 4.0 and is hurling up 90k novels complete with plot twists and a 10% detectability rate that have been trained off of every book every existed through website crawling that can't discern if material is copyrighted? If this AI becomes able to detect the new or can gauge upcoming zeitgeists or cultural moments and adapt its zombified frankenbooks rather than boilerplating, what happens to artists?

We retire to the South Downs and take up beekeeping.

Absurdly logical, said no romulan ever...