(from "The Faithful Heart") Couldn't Get Closer To Anything With Staying Still, So I Got Scared When

(from "The Faithful Heart") Couldn't get closer to anything with staying still, so I got scared when I saw a bad poetry. At the heads of fools, gonna gather bones of peaches and throw'em, and then giggle and laugh for you sons of bitches.

(from "Blue Blood") I loathe people who raise their voice only when they're in the crowds. They have the red blood, which simmers only in the dark. And you have to face them almost every night, unless you have the sufficient territory. In front of your tiny tight place, they resonate with the vulgarity and cruelty of life, always spitting their red blood. It's like a real hell, honestly.

(from "The Last Poetry")

The scene was literally being exploded with rage

and the darkness was so murky as to make an ominous color.

Eventually, she pushed the opponent away

and as the door closed, she laid back in bed

and took an unsightly posture.

She seemed to be trying to sleep.

The artificial rays disappeared along with the opponent,

but the murky colored darkness remained in the place.

(from "Velleity")

Maybe you're right,

I would have to liberate myself from them.

A mere velleity, a little hope, that suffice for me,

but among you, with you, I also might have to make something of my life.

(from "a candlelight") there's a candlelight in my heart that always precariously flickers with their own eyes with their own blue lines it's a meaningless world for truth say their own eyes, say their own blue lines, but my candlelight would never flicker like this ravingly if they're right

(from "Moths") rainy late night, a bright glass door of the mall, the place of ghostly large, achromatic colored moths they always whisper under their breaths you beware of those who crush the eyes that are awake at night