
Jen | she/her | miraculous ladybug supremacy ššāā¬
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More Posts from Kyanneoss

These two blorbos š¤§
Reblogs are appreciated š
How did you get so good at drawing such expressive bodies/faces??? tell me your secrets!! (But srsly your skills are amazing)
AAAA THANK YOU!!
I think my initial inspiration was about 10-11 years ago watching Adventure Time and finding Rebecca Sugarās boards. Sometimes I get a little frustrated because she gets so much more notoriety than the other very very amazing AT boarders, butā¦.. her expressions manā¦. she was always able to convey so much with SO LITTLE. (SUās expressions are on another level of course, but I think ATās are just so impressive to me because theyāre dot eyes)




But the thing is!! Iām also a fan of deadpan. Which AT also does very well. Itās tempting to want to do BIG, extreme expressions at every moment, especially in comedic comics, but you really donāt need to. I find that characters often feel more expressive if you reel it in more often. That way, when you DO have bigger expressions, they FEEL bigger!
for example, a panel where the contrast between big and subtle expressions sells the contrast:

I donāt really,,,, know exactly what I do that works, ?? I kind of just like, think of the emotion I wanna convey, make the expression, think about what my face feels feels like, and try to convey that. Using a mirror helps!! Youāll feel a little stupid but itās funny.
some misc expression tips:
Definitely prioritize eyebrows, eyes, and mouths!
Noses arenāt as important BUT flared nostril can totally sell an expression, so it depends!
Remember that your upper jaw is stationary, and your lower jaw can move, and then your lips and cheeks can move all around that!
Just subtly changing the placement of eyelids and location/size of irises can completely change an expression
Donāt be afraid to make your characters look weird or stupid.
Donāt reinvent the wheel! Take reference from different media you like that stylize expressions in different ways, and find what works for you. I take a lot of inspiration from AtLA
Again, NUANCE! Like, when most people are sad, they do their very best to try NOT to cry. People hold things in. Sometimes what characters donāt say can speak louder than what they do.
some expressions Iāve done that have varying levels of nuance:


Also framing!! You can use the composition to help project how the character feels:

As for body language!
Having a better sense of three-dimensional form and anatomy isnāt necessary, but it sure helps a lot
Hands!! I have adhd and my family is italian so I use my hands a lot when I talk. But even still, most people donāt just leave their hands hanging loosely by their sides. People cross their arms and fidget with their zippers and put their hands in pockets.
Head, neck, and shoulders. If you can master the foreshortening of these overlapping shapes at most angles, you will be very powerful
Hips & feet!!!!! People RARELY stand straight with both feet flat on the ground with even balance. Most people will shift their weight to one hip, leaving one leg looser and at an angle. It also helps to practice perspective, because people also rarely stand with their heels lined up side by side. One leg may get kicked foreward or loosely bent backwards. I sometimes cross my legs when I stand.

Ultimately, if you want more lifelike expressions and poses, study from life!! Donāt worry about your drawing being āgoodā or ābadā, instead think about what can make it successful. Ask yourself, āis this conveying the expression I want to convey?ā and if itās not, figure out what you need to change to get it there.

We had an interaction assignment, and GUESS WHAT I DID!!!