
She/her My AO3 acc My art instagram Hope you enjoy my bullshit ^v^
237 posts
Brainrot Of Renfield Having A Build A Bear Pastel Swirl Kitty Wearing An Emotional Support Bear Shirt
Brainrot of Renfield having a Build a Bear ‘Pastel Swirl Kitty’ wearing an Emotional Support Bear shirt is sending me in a fit of happiness.


These are the things I like to think about. ^^;
-
janeacular reblogged this · 1 year ago
-
janeacular liked this · 1 year ago
-
silver138 liked this · 1 year ago
-
benwillbondlove liked this · 2 years ago
-
babybirbb liked this · 2 years ago
-
plushiedreamland reblogged this · 2 years ago
-
mylitteponyelectricboogaloo liked this · 2 years ago
-
mister100gecs liked this · 2 years ago
-
lenythepillow liked this · 2 years ago
-
selune2 liked this · 2 years ago
-
plaguebirdboy liked this · 2 years ago
-
eyehavesomeissues liked this · 2 years ago
-
radio-hour liked this · 2 years ago
-
m0th-t33th reblogged this · 2 years ago
-
m0th-t33th liked this · 2 years ago
-
real-hawkguy liked this · 2 years ago
-
houseofpurplestars liked this · 2 years ago
-
damiengravehill liked this · 2 years ago
-
dastbatz liked this · 2 years ago
More Posts from Janeacular
Thinking about how many musical tragedies feature the narrative almost as a character of its own. Like a force within the story, divided from the characters. Out of their control at times.
Orpheus had to turn around, that’s just how it goes. That’s the way the story is told.
Tony had to go and get himself killed. Of course he did. He’s Romeo. The story wills it so.
Jesus must die. No matter how much he wanted to live, no matter how much the people around him wanted him to live. It’s his role to die.
Alison can’t go back and change the events of that last car ride with her father. It’s set in stone, there in the past where it will always remain.
And then there are musicals like Once On This Island and Ride The Cyclone that embrace the role of inevitability in their stories and find joy anyway.
And then on the exact opposite side of the spectrum there’s the radical freedom from the narrative that’s seen in Into The Woods. The narrator is dead and now the story is no one’s but the characters. And there’s the lack of protection that comes with that, the chaos and confusion. But it’s theirs and it’s tragic but they make the best with it.
Those themes of Inevitability vs. Freedom and the meta understanding of story within a story. I can’t seem to get enough.
URREGHFHFHF I cant stop thinking about. Rapunzel horrible crushing guilt complex

rapunzel crying and calling herself horrible after leaving the tower. rapunzel shifting the blame onto herself mid sentence when she tells eugene that she's never left the tower (that's why mother never let me- that's why I never left.) rapunzel desperately trying to save eugene when hes dying. When he dies. (does she blame herself for this too?) rapunzel being so crushed by guilt after queen for a day that she can hardly bring herself to do anything. Rapunzel blaming herself for what happened to cass in the great tree.
How much do you think she blames herself for? How long do you think it took her to stop feeling selfish and burdensome and guilty for just. Taking up space? Existing? GFJDJDHD :(

RAPUNZELLLLL




you've watched that more than once

I’m too tired to post an essay but my girl was just a victim of bad writing and a lack of critical thinking from the audience okay I love her.




“Cause here’s the thing. To know how it ends, and still to begin to sing it again. As if it might turn out this time. I learned that from a friend of mine.”
Hadestown and Orpheus and Eurydice over the years. Broadway, NYTW, album, and myth.