AN ARTIST'S GUIDE TO HANDS

AN ARTIST'S GUIDE TO HANDS

No, sorry it's actually not an artist's guide to drawing hands. Those are just warmup studies (which I'll talk about in this post.)

This is a guide to Your Hands and how to take care of them when making art.

No one ever sits down and teaches artists how to take care of their hands. They didn’t even teach me this while I was in art college. This is just what I've learned myself through years of pain and scouring the internet for advice.

This is going to be a long one and geared towards illustrative traditional/digital/pen/pencil artists specifically, but artists of other mediums and crafts should take care of their hands too! Well, we all should take care of our bodies in general, but this is about hands.

(advice is below the read more)

First off I'm not a professional or anyone with actual medical advice. I'm just some guy with chronic hand pain who makes art. This advice is free for you to use or discard.

WARMUPS!

Ever sit down in the morning to draw and wonder why your art is so stiff and looks so much worse than what you were drawing last night? It's because you didn't warm up!

You know how for physical sports they all warmup and do stretches before getting into the actual sport. To prevent injuries and all that? Yeah, it's good to do that for art too.

One way to warmup is to just draw lines. Try to keep them as straight as you can. Going up and down and diagonal. Draw squares. Big squares. Small squares. Circles! You are warming up, keep it loose and relaxed! Basically just scribble away.

(examples. I usually keep going until there is no paper white left. This can double as practice for drawing straight lines without a ruler, which is a great skill to have when freehand city drawing.)

Before hopping right into drawing people you can try doing some quick gesture drawings. Line of Action has timed sessions with a large variety of clothed or nude models. I usually do the 30 min class as it has a nice balance of short and long timed poses. The point isn't to draw nice art, but to warm up. Try to get the basic form down, not the details. I find that doing a full class session can really help my drawings feel more loose and grounded in reality for the rest of the day.

Some examples I found in my folders. I suggest looking into what a line of action (not the site) is and giving it a try with some of the studies!

COOLDOWNS!

For sports it's to return your body back to your everyday baseline after a workout.

Example; you are working on a big project! A masterpiece! It's detailed and cool! You have been focusing on this for hours and drawing so intensely. But you need to stop working for the day.

A cooldown is for winding down out of the go go go mindset. Put away the big project and do a couple small doodles and sketches. You are relaxing your hand and letting it stretch out. Keep the sketches loose. Let the art happen slowly. Don't polish anything, that can happen another day. Just ease yourself out of drawing.

...

Cool! Now we get into the meat of this thing.

HAND PAIN

How to avoid it and how to manage it if you already have it.

I love you artists and creatives, I am begging you to please take care of your most important creative tools. I really don't want this to sound like scare tactics like "oooh you better do this or blah blah!" Nope. I just had to learn all this the hard way and I'm extremely passionate about it.

Take this advice or don’t ╮(ﾟ～ﾟ;)╭ I can't tell you what to do, I'm not your dad

Adjustments and Small Solutions

If you are feeling physical discomfort while drawing there are many different solutions to try! Here are some suggestions that may or may not work for you.

Hold your pencil more loosely. Stop gripping that thang so tightly!!! Relax that hand! They make these… squishy pen grip things... I think they are called Adaptive Pencil Grips or Adaptive Writing/Drawing Aids? They stop your hand from being all cramped up by making your drawing tool wider. It's going to take a bit of time to adjust to drawing with it, but it's worth it for those who hold pencils too tightly.

Don't press as heavily. For traditional art, if you find yourself pressing really hard to get darker lines try moving to a softer pencil. Most standard pencils are HB, the B pencils have softer graphite. Experiment until you find the right one for you. For Digital, adjust your pressure settings so you don't have to press as hard to get thicker lines. You should not be pressing so hard all the time, it wears out both your hand and your tablet! It takes a bit of time to adapt to pencil or pressure changes. Try doing some unimportant sketches, they don't have to be good. You are just training your hand and mind to adjust using less pressure.

Draw with your arm and not your wrist! It's small repetitive motions that cause the most strain. You probably hear this one a lot, what does it even mean? It means moving your arm with the motions of your line, and trying not to make too many tiny movements with your just your fingers or wrist. This one is hard! It takes time and conscious thought to change the habit. Tips? Work bigger. Zoom in more. Use bigger sheets of paper.

(Motions exaggerated for a clearer example)

Change the angle of your drawing surface. They make angled tablet holders, angled desks, angled desktop raisers. Experiment, find and angle that is comfortable and the one that causes the least pain. (It's also good to make sure you don't have to hold your head at an uncomfortable angle when drawing. Staring straight down or hunching over a paper flat on the table can cause pain!)

Compression Glove? Wrist brace/tensioners? Some folks use them and I've been thinking of getting one for years now. I can't give advice on this one, because I don't have experience with it. Look into it if you want!

Managing Pain

First things first.

IF YOUR HANDS START TO HURT WHILE YOU ARE DRAWING. STOP! Put the pencil/pen/paintbrush/whatever down. The art will still be there for you to continue tomorrow.

I know from experience that it's extremely hard to pull away when you are hyper focused on an art piece. It's hard to remember all sorts of basic needs like food or bathroom when hyper focused. But you Need to stop when you feel that pain. (Preferably even before the pain…)

Take Breaks! Let your hands rest when you can. Just like a machine, if you don't schedule maintenance, the machine will schedule maintenance for you. Often that means having to wait a few days for it to return to functional. Best to take a day off from heavy usage or take an occasional 30 min break throughout the day to let your hands rest.

Stretching is important! Full body stretches are good; your arms, shoulders, neck, and spine are all connected, but I'm specifically talking about HAND and wrist stretching. There are a lot of stretches and massages for carpal tunnel and arthritis out there. I find they work for hand pain in general. Move into and out of each stretch slowly. Do not push a stretch if it hurts!! Be gentle!!

I am not a qualified professional and I will not be giving out specific stretches (that is beyond my personal comfort level). There are other artists out there who have made helpful stretching info-graphics which are cool, but I will not be because i don't want to be responsible for someone accidentally hurting themself. Ask your doctor for stretches & advice or look some up on your own.

Don't feel bad about forgetting to stretch frequently! Of course it is good to do it regularly and frequently, but I would be a hypocrite if I said that I remember to stretch daily. Setting timers for stop and stretch sessions can work for some people, but also doing stretches whenever you remember is fine! If you are sitting on the toilet you can idly do some hand stretches. On the bus? Laying in bed? At the beach? Do a couple stretches! Even just once a week is better than… nonce a week.

Using Cold or Heat to treat pain. If you really overdid it, put your hands in some cold water or wrap a cloth around an ice pack and apply it to your hand. Cold works best for me, but warmth works for others. This is just pain reduction and reducing inflammation from overuse! This is not a permanent solution.

If your hand hurts a lot! Frequently! Talk to your doctor? Idk mine has never given real advice. Just gently poked my hand and told me there isn't much to be done about it :/ but there are really good doctors out there who will care and give helpful advice!

Again. IF IT HURTS TO CONTINUE DRAWING. STOP DRAWING! This is not a "no pain no gain" type situation. Drawing so much that you hurt yourself isn't noble, it's just… limiting yourself. You only get one set of hands. These things are very handy to have.

Other Advice

Things I couldn't figure out how to fit into the earlier sections.

Your other hand can't handle the strain! Lets say you hurt your drawing hand... the other hand is right there free to use for art. Right? Wrong. Your other hand can't keep up with the demand, it hasn't been trained to the same extent as your dominant hand, it does not have the built up muscle. If you want to use that hand for drawing you are going to have to use it s l o w l y and train it bit by bit over a long period of time. When I tore a tendon in my right hand I decided to just keep drawing with my left and I got Really Good at it. It only took like two months before my left hand hurt too much to move. Then I had 0 functioning hands to pull up my pants. Not fun!!

People who draw on phones. That is extremely impressive! I'm amazed by the things people can create on such a small space. But phone artists are the ones I see most frequently mentioning hand pain. please please please make sure you are taking breaks. Would a stylus work instead of using a finger?

Outside of Drawing. Sometimes it's things outside of drawing that are causing the pain. For me there are multiple sources, but I also have tiny baby hands. Holding a phone too long causes pain. The handheld mode for my Switch causes A Lot of pain. The way my hand rests while typing on my laptop hurts! Playing tense videogames for too long hurts! Find the source of your pain and make some changes. The same things will apply to most; take regular breaks, do some stretches, and find soft things to prop up or rest your arms on.

Change your Artstyle. This one is more of a last resort. You might have to change your art style if you are getting sharp pains every time you draw. I loved drawing tight clean lines and many small fancy details, but drawing like that left me in so much pain at the end of the day. In 2023 I had to take the better part of year off from illustrations just to learn how to sketch and draw more loosely. I had to learn how to be gentle. To stop gripping my pencil so tightly. Learn! Adapt! You might discover a new style that you love even more!

A lot of this stuff gets more complicated in a work setting where you have to draw fast and long in order to get paid. Things like reducing your workload can help, but that can be... financially rough. But outside of that, it’s ok to be a slow artist. Going full steam and hurting yourself is not worth it.

Aaaaaanyway, thats all folks. Today's rant brought to you by me! The guy with chronic hand pain who always forgets to stretch! The guy who got frustrated with a sketch yesterday and decided to push to keep drawing for just one more hour! The guy who woke up this morning and had to spend 2 hours massaging and stretching their hands. The guy who probably shouldn't have typed all of this out because ooww ow ouch

If your hands do hurt, it's going to be ok! You don't need to be a speed demon who draws all the time. It's ok to take your time and take frequent breaks. You are going to do great things! Just be gentle with yourself...

fixed point

“Would you like to know how much time you have left?” Clockwork asked.

Danny had never wished more that he’d died in something with pockets so he could hide his shaking hands. The endless ticking in the lair—hundreds of hands TICK TICK TICK -ing in perfect sync—had never sounded so ominous.

“I—” his voice rattled his throat, a raw thing “—I didn’t think you gave spoilers.”

With an absent spin of their staff, Clockwork shifted from adult to child and said nothing. Dread hung heavy in the air, Clockwork’s unblinking stare piercing through it all. Danny pointedly did not make eye contact. Instead focusing on the oscillating hands of the wall behind them.

He took a breath.

“Will it make it easier, knowing?”

Clockwork blinked once, face betraying nothing.

Dammit.

He wasn’t an idiot. There was really only one outcome of this conversation. Just as there had been the day he’d first pulled on his jumpsuit, walking—tripping—through the threshold. Life snuffed out of him in less than a second.

He brought his shaking hands together and met Clockwork’s even gaze.

And answered.

Thirteen days.

Seven hours.

Thirty-six minutes.

It was somehow both longer and shorter than he’d expected.

It was also a weight off his shoulders, at least in the beginning. It wouldn’t happen any earlier than the date Clockwork had recounted that night. Thirteen days of freedom. Peace. Liberation.

Because if he thought too much about the length of thirteen days, how three-hundred or so hours wasn’t enough time— it’s not fucking FAIR —he would be swallowed by the crushing anxiety that made its permanent home in his stomach.

So there was that.

He didn’t bother telling his friends. They were already all on edge, but if he could act like all was well he could ease their worries. Because ultimately they were just worried about him, and if he was fine they would be too.

He did, however, make contingency plans. Farewell videos on a USB drive taped to the underside of his bed.

He wanted Clockwork to be wrong. Some nights he laid awake, trying his damndest to find a way off this track. This self-fulfilling prophecy. But there was nothing. That moment had already passed with that stupid news broadcast that had glued him to the couch, shaking, as his parents had shouted and jeered at the screen. Dismissive. Furious. Invested.

They hadn’t noticed when he pushed himself off the couch and stumbled, shaking, to the bathroom to purge the contents of his stomach.

It was a miracle he’d only gotten a two-day suspension for slugging Wes in the face in front of the whole cafeteria. Even more so that no one had pieced it together from that.

No one saw him. But they would. When it was too late.

He couldn’t stop it. But as he didn’t acknowledge it in the waking world it wouldn’t exist. So he reserved his existential crises for when there was nothing to distract him from the looming, inevitable deadline.

He wished he could tell Mr. Lancer that whenever he was given detention that afternoon.

On the night of the twelfth day, he didn’t sleep a wink. No amount of coffee could keep his head above his desk that morning, and so, Danny spent his final hour in detention. He considered skipping. Detention was not the place for everything to come to an end.

But wouldn’t leaving—deviating from his normal routine—up the chances of putting events in motion?

Avoidance was his specialty, after all.

Jazz could write a paper on his coping tactics alone if she hadn’t already. 

At nineteen minutes Mr. Lancer stopped in front of his desk. It was only him and Valerie today, and she sat somewhere three desks behind and to his left of him. Her hair was in a loose ponytail, loose yellow sleeves draped over her hands. The bags under her eyes rivaled his own, even though he was sure there hadn’t been too many ghosts in the past week or so—but then again, he’d not been the most attentive to things on the ghost front lately. It was probably his fault she was here at all. 

“Mr. Fenton,” Lancer said. He forced his head to turn, a feat much more difficult than it sounded. His head felt full of lead. “Is everything alright at home?”

Danny forced himself not to cringe.

“Uh.” He ignored the sound of Valerie shifting in her seat behind him. Great. An audience. “Yes.”

“I’ve noticed you’ve been getting much less sleep of late, is all.”

Now this was a load of shit. Danny’s sleep schedule was normally trash. This current existential crisis was no more taxing than his normal night activities.

Lancer continued. “And your parents have—” he paused, eyes flitting somewhere behind him. “—in light of recent revelations, I just worry, Mr. Fenton.”

Hm.

Did he know, then?

Was this it?

Danny stared stupidly for a moment, forgetting to shut his mouth. And then shrugged.

Falling back on ignorance.

If he was honest, he hadn’t quite expected Lancer to be the one to put it together, but it also made sense. 

Lancer’s mouth thinned. “I know they can be intense, especially with the scrutiny placed on our school now. No one should feel scared to come to school. Or go home,” he said, letting the words hang in the air for a moment. “This is a safe space.”

For a moment all he could hear was the drum of his heart in his chest. And then behind him, Valerie cleared her throat.

“With all due respect, Mr. Lancer,” she said, “nowhere is safe with that putrid ghost hiding among us.”

Danny didn’t turn around. Lancer’s reaction was subdued, but there was a protective fire in his eyes that confirmed Danny’s suspicions. He wondered how long ago he’d put it together.

“Ms. Gray,” Lancer said, “I see your point, but I’m just trying to ease tensions.”

Danny checked the clock.

Seventeen minutes. 

Maybe he should’ve skipped detention after all.

(No escaping the inevitable. No do-overs this time.)

Valerie scoffed. “So what? We let our guard down?” he chanced a glance behind him, and Valerie’s eyes were red-rimmed—from lack of sleep or otherwise he had no idea. “Someone here is a walking weapon and we’re supposed to ignore this? Fenton at least knows he’ll be safe at home, but what about the rest of us? We don’t get to go home to ghost-hunting parents—we have to hold our own.”

Lancer nodded. “I understand. I just think that it’s very frightening for all of us, ghost hunters or not.”

Danny’s voice cracked when he spoke. “Yeah.”

Valerie’s expression softened. “I didn’t mean to make light—”

“No. No, you’re right,” he said. “It’s not safe with Phantom as a student here. Whoever he is.”

She sighed. “Danny, I don’t know what it’s like with your parents, but—”

“But what?” he cut her off. “Because they’re ghost hunters they’re automatically the safest people in the room?” He lowered his voice. “You would think that.”

She froze. “What does that mean?”

Hm. Whoops.

“People don’t know what it’s like, I guess.”

Danny turned back around. Lancer’s stare was dripping with sympathy.

Fifteen minutes.

There was a scrape of a chair, a thud of feet, and a warm hand on his shoulder. Valerie released him just as fast. When he met her eyes, they were as wide as saucers.

“D—Danny,” she said with a note of panic. “You’re cold.”

“Yeah?” he asked.

She took a step back. He hadn’t seen her this scared since they’d been stranded on Skulker’s island together. He could see the realization dawning. 

“Val,” he said, knowing full well what was going through her head, “what’s wrong?”

“It’s not you,” she said, a desperate plea. “I can’t be this stupid.”

He sighed and Lancer stepped between them.

“Ms. Gray,” he said, “now let’s not jump to conclusions—”

“No!” she shook her head. “No, no, no! It doesn’t make sense. You’re—your parents hunt ghosts. Hunt Phantom.”

Danny crossed his arms.

“So do you.”

Lancer looked between them like Danny had announced that he liked eating golf balls. “What.”

Tears welled in Valerie’s eyes. “I trusted you!”

The minute hand inched forward.

Fourteen.

“You trusted me to what?”

Valerie clenched her fists. “Don’t do that! Don’t play stupid!”

“Ms. Gray—”

“I’m not playing.” Danny turned sideways in his desk, facing her head-on. “Tell me what you think I’ve done, Val.”

“Mr. Fenton—!”

“You replaced him. You replaced Danny. How long have you been pretending to be him? To be alive? How can you live with yourself, going home everyday and seeing his parents and—and—acting like you’re still—” she choked on her tears. “You terrorize this town, Phantom. I won’t let you take anything else from me, or anyone.”

Lancer’s eyes were wide. He’d never seen the man so shocked, in such foreign territory.

Valerie, on the other hand, was resolute. There was as much determination in her face as tears.

“I’m still me,” he said. “I died, but I came back. I never replaced myself, however that works. I am sorry, Val. There’s a lot that—”

“Shut up! Shut up shut up shut up! ”

“—that I didn’t mean to happen.”

Lancer slammed his hand on Danny’s desk.

“Can we all settle down!”

It all happened in a matter of seconds. The clock in his peripheral kept him tethered to the moment. 

Valerie reached behind her and pulled a blaster.

A flash of red—

(The minute hand moves.

Thirteen.)

—and a burst of hot pain through his side.

He crumpled forward, his head meeting the linoleum floor with a SMACK and somewhere above him a distant shout.

Everything from his side to his cranium THROBBED and it wouldn’t fucking stop.

(He’d taken hits from Val before. This shouldn’t hurt so much. Why does this—?)

Iron pooled in his mouth. 

Oh right.

Ectoplasm was thicker than blood.

Danny tried to push himself up from the floor but the world spun and his arms gave out below him and he slumped back down to the cold, hard floor.

The floor felt better.

Maybe he would…

Stay here for a while…

***

The television clicked on. A rerun of the six o’clock news.

He didn’t let Jazz turn it off.

“According to a recent report, there is speculation that our local ghost vigilante Phantom might be living among us. Care to tell us more, Lance?”

“Yes, Tiffany.” Lance Thunder’s stupid blonde hair was polished and perfect as usual and he wanted to wipe that stupid half-smile off the bastard’s face. “A ghost ID’ed as Walker —” at this, a crude picture that was mostly just a white blur appeared on the screen “— has publicly announced that our hero is a student at Casper High fooling us, flying under the radar.”

“And as far as we understand, tips from ghosts aren’t verifiable…?”

“Normally, yes, but there is evidence to suggest that—”

“This isn’t good for you,” Jazz hissed. “I know that it’s scary, but—”

“Exposure therapy,” he snapped back. “It’s gonna be the talk of the school anyway.”

She slumped back down onto the couch. “Take care of yourself.”

The door to the lab was thrown open. His parents marched through the kitchen and into the living room, perfectly eclipsing the TV.

“—telling you, Jack. The DNA scans are inconclusive at best. Their so-called ‘experts’ are out of their depths.”

“We’ll show them once and for all. If we can find out which student it’s using as cover—”

“—we’ll expose Phantom for the monster he is!”

His parents disappeared upstairs for the night, but he could still hear snippets of their vows to destroy him. 

He shot Jazz a tired look. “Easier said than done.”

***

Someone was touching him.

Everything on his left burned. Far above him were LEDs and beige ceiling tiles. He wasn’t sure when he’d been rolled onto his back. But he was now, and someone was pressing down on the spot that burned burned burned—!

Blood trickled down his throat.

How many minutes had it been?

How many did he have left?

There were voices, somewhere, but everything sounded like it was underwater. Maybe it was. Drowning would be preferable to many of the other deaths he’d prepared for. Still terrible, sure, but vivisection lowered the bar considerably. 

“—have you done!”

“He’s—” A girl’s voice wavered, quiet. “He’s Phantom. He’s not supposed to—to—”

Wow. Valerie had the decency to sound ashamed.

At least he could die knowing that his killer at least had a few shreds of regret.

(Is it sad that it’s more than he expected?)

“—little first aid.” The pain came in waves, and all Danny could hear was the rush of his stupid heart in his ears. “—expecting shootings in America, but not from a—” 

Just as fast as it came, the world melted away. His last grasp on consciousness slipped away.

(As fast as the click of a button.)

***

Wes had a punchable face.

But hey—that’s what you get for talking to the press. The accusations were written off as pretty baseless, but the damage had been done. He got inquisitive stares now and again. After all, Wes was a joke, but his interview put Danny’s name on the list of suspects and that was enough to fuck his entire life over.

After his two-day suspension, Danny had little opportunity to survey his work. Honestly, more people asked him about how bad he fucked up Wes’s face than whether or not he was Phantom.

(From what he had seen, it was in a perpetual state of purple and that was enough to curb his anger for now.)

So. He had two days off from school.

Danny went to see Clockwork.

Long Now welcomed him with welcome arms, and he broke down into a fit of whines and gripes about how it seemed like everyone was out to get him, that everyone wanted to put his head on a pike. Everyone wanted to ferret out the wolf in sheep’s clothing.

Clockwork shared their sympathies.

“No matter what I do, I just—I’m a wreck. I think someone’s figured it out. That they know, but then I mention it to Jazz or Sam or Tucker and I’m just paranoid and I think I’m paranoid now and—” he groaned. “I don’t know what to do. I’m losing my mind.”

“You do know that it’s inevitable that the truth comes to light.”

He froze. “What.”

Clockwork shifted from senior to adult. “Your paranoia isn’t for naught. It’s a matter of time.”

No. This couldn’t be happening.

He’d figure a way out.

There had to be something.

“I thought nothing was inevitable.”

“Not nothing,” Clockwork hummed. “Often, it is nothing. But not this time.”

Their words shook him to the core. He’d suspected it, sure, but confirmation was—

“I know it isn’t fair.”

“Don’t tell me what is and isn’t fair!” Danny snapped. “Your entire life isn’t—isn’t under scrutiny for everyone. If they know that I’m me, I—”

He pressed his hands to his chest.

He would be finished.

One way or another, someone would find a way to put him on their table.

The government.

His parents.

Maybe someone else out for his blood.

(His body.)

“I can’t see what will happen past them learning the truth,” Clockwork said. “But it is a fixed point. Everything past that diverges, a thousand roads. Timelines. Possibilities. I can’t tell you what to expect. The best, the worst. I cannot offer that reassurance.”

“Oh.”

They nodded. “It’s a lot to take in.”

“I don’t want them to find out,” he said in a pathetic whine.

For a long moment, Clockwork said nothing. If not for the constant ticking of clocks, he would have thought they were frozen. But then Clockwork’s expression shifted.

And they asked: 

“Would you like to know?” 

***

…

……

………

Warbled voices were around him again. Different.

But this time more in focus.

“Sir, Ma’am, if you could leave the room—”

“I will NOT. That is my son, and I am not leaving until someone tells me why there is a HOLE in his chest—!”

And somewhere else, a shriek of sobs.

“We’re transporting him to the hospital, you can’t—”

“I did it,” said that same, sobbing voice. “I shot him. I shot him.”

More people were touching him and Danny didn’t like it oh god no no no —

“—get him on the stretcher—”

“—the hell DID you—”

“—Ms. Gray, you—”

“—no! I want to know why—”

“—securing him, just—”

And now time did slow.

The EMTs lifted the stretcher.

And his face lolled to the side, giving him a clear view of the clock.

The minute hand moved one last time.

Just as:

“I didn’t mean to! I didn’t—he’s Phantom, I didn’t think that it would—!” Valerie, cut off, sobbing. “I’m so sorry, Danny. If you can hear me, I’m so sorry.”

And then there was silence.

Crushing darkness.

***

If he had any last doubts that his secret was out, they were snuffed out when he woke up in the hospital to the pained faces of his parents. Jazz was in the chair to his left, hair mussed up and asleep. His parents’ eyes were red with tears. In his delirium, he also noticed Sam’s backpack discarded in the corner.

How long had—?

“Two days.”

Clockwork appeared before him in their adult form. They swung their staff, looking rather pleased with themselves. Danny then realized the occupants of the room had been frozen as long as he’d been awake. 

“You’re recovering well, all considered.” Clockwork tapped a clipboard on a nearby table. “I will say, I am surprised that we took this route. It is what you might call a ‘spoiler,’ but it’s kinder than most.”

“Is it,” he said, voice hoarse.

Clockwork waited for him to finish coughing up his lungs before speaking again. “They’re handling it as best they can. I won’t say it’s great, but you’re on the way there.”

“I—what happened, again?”

And as he asked, it came rushing back.

Lancer. Valerie.

And paramedics?

Clockwork gave him a knowing smile. “Your teacher called an ambulance. In his panic, he might have let it slip that you were having a reaction because of a ghost weapon, and your parents were looped into the call.”

“Oh.”

“Yeah.”

Danny’s eyes found his frozen heart monitor, time stopped between beats. Below, his mother had tied off the top half of her HAZMAT suit and was wearing a black shirt beneath. He did notice that the contents of her weapons belt were emptied.

He turned back to Clockwork. “How did they take it?”

They shrugged. “Why don’t you ask them?”

“Wait—wait, I'm not ready.”

“How about this? I tell you how much time you have left.” They raised their staff. “Three—”

“Clockwork—”

“Two—”

“Don’t you dare!”

“Time in.”

There needs to be more content about Jazz - specifically about how she handles her brother's death.

I want to see more of Jazz's grief. The fact that she wakes up every morning and faces her little brother whom she raised when her parents didn't. The fact that she watches him eat and drink and put on his shoes and walk out the house every morning, while Jazz takes a single moment to sit at the now empty dinner table and process the fact that her brother died while the clock hanging on the wall ticks behind her and reminds her she can't be late.

I want more of Jazz knowing that grief is a part of life and mourning can be a healthy way to deal with loss, while struggling to come to terms with the fact that her brother died in the basement of the house that she currently sleeps in every night - all while her parents miss breakfast yet again in favour of tinker away in their lab.

I want to see Jazz fumbling her way through keeping up appearances while struggling to find some form of peace in between all the responsibilities she's juggling.

Sometimes it's when the glass in front of her mists up completely while she's in the shower and the water's so hot she can't see her reflection in the mirror and the steam stifles her breathing.

When she's alone in the freezer aisle staring at the packaging of Danny's favourite ice cream with only the sound of the refrigeration humming in her ears.

When she brushes her hair in the mirror and catches sight of the split ends that need to be trimmed.

When she's wading through the piles of dirty laundry in Danny's bedroom and sorting out which ones are most in need of a wash, only to look up and catch sight of the faded glow in the dark stars still stuck to his ceiling.

When she lays out her notes on the kitchen table while waiting for Dash to arrive for his tutoring lessons. The sound of footsteps walking up the driveway doesn't stop her from staring at the cracked tile above the sink, but the shrill sound of their doorbell has her stumbling from her seat, tripping over her feet while the glass of water in her hand goes rolling across the countertop.

I want Jazz to seek sanctuary in the fleeting moments of silence in her everyday life. She's still a teenager with no one to talk to. For all that she pesters Danny on speaking his mind and not keeping his worries to himself, she's an absolute hypocrite. But there isn't anything she can do about it. She's always been pitied as the most "normal" Fenton, and as long as she keeps it together and keeps herself moving then no one will notice how her parents never seem to leave the house anymore, or how she's the only one making dinner every night. No one will see the bags under her eyes, hidden beneath all the concealer and powder. People will look at her and see that they're doing okay - regardless of how many late assignments her brother hands in and the number of detention slips he's managed to accumulate.

I want to see her counting down the days till her 18th birthday while she chokes on the fact that her parents had a hand in killing her brother - that they still haven't noticed what's right in front of them, even though they should’ve. Love isn't enough to raise a child and it's something that Jazz has always been acutely aware of - something she's never had the courage to face - but now she feels goosebumps every time she hugs her dad and she's turning blue every time she meets her mother's eyes.

I want to see Jazz desperately trying to stop herself from falling apart at the seams. She's smart and far too self aware and struggling to keep her head above water. I want to see her dealing with her grief in the only way that she can with all the limited time and resources she has - all while swallowing down the guilt that she's fine and that she's okay and that she isn't even the one that died so how can she be the one feeling like she can't get enough air into her lungs when most days her brother doesn't even have a heartbeat.

Solidarity with Gaza: Needed Now more than Ever!

Not only do hard times create strong people, but also unleash the goodness and empathy in them. In the face of the horrifying magnitude of loss inflicted on the people of Gaza, it is the support of the free world that alleviates our pain and gives us hope for a better promising future.

Unfortunately, this war has spared no one. Everyone in Gaza has experienced agony, fear, famine, thirst, forced displacement, and despair. The systematic genocide is meant to shatter their souls, kill their dreams, and erase their existence.

The situation in Gaza moves from bad to worse, and there seems to be a real intention to perpetuate the war even if it means killing thousands of innocent civilians in Gaza and demolishing entire residential blocks with no regard for the lives of people.

My family in Gaza, like all the people there, continues to run in a vicious circle of pain, fear, and death. Please continue to Donate, reblog, and share my campaign everywhere to help me save my family. Thank you so much for your support so far!!!

@ibtisams @90-ghost @el-shab-hussein @sar-soor @nabulsi @sayruq @soon-palestine @riding-with-the-wild-hunt @fallahifag @fairuzfan @feluka @stil-lindigo

gofundme.com

Donate to Death chases my family in Gaza; help me save them, organized by Mahmoud Khalaf

People say: "Family always comes First," and to that, I say: "Amen!".… Mahmoud Khalaf needs your support for Death chases my family in Gaza;

urgent‼️

Famine intensifies🇵🇸🥺

In Gaza, we currently do not find the minimum requirements for human life, and we live a disastrous life that is devastating to humanity.😢

The painful scene before you expresses the extent of hunger we have reached in Gaza.😭

My family is part of this difficult scene, and this video is a small part of the suffering we live through daily.

I issue a call for help to every jealous and free person to share this pain with us, convey our suffering, and provide support in whatever way he can.

Donate or share 👍

gofundme.com

Donate to Support Siraj's Family in Rebuilding Their Home, organized by Ahmad Abudayeh

hi, my name is ahmad and I'm raising a fund for my cousin Siraj and thi… Ahmad Abudayeh needs your support for Support Siraj's Family in Reb

little guy love him