This Happens To Aggie And You Just Hear Sobbing From The Other Room

this happens to aggie and you just hear sobbing from the other room

blood, blood, gallons of the stuff ! a collection of icky, bloody prompts for those who like to choose violence. actions are reversible. general warning for blood, violence, murder, death.

𝚂𝙿𝙾𝙺𝙴𝙽 :

" that's a lot of blood. "

" it isn't mine. "

" what did you do ? "

[ sigh ] " what did you do ? "

" come on. have a taste. "

" holy shit, are you okay ? "

" it looks worse than it feels. "

" you should see the other guy. "

" it's a good look on you. you should get covered in blood more often. "

" lean on me. "

" oh my god. oh my god, oh my god, what the fuck ? is that what i fucking think it is ? "

" . . . gross. "

[ standing over a body ] " oops. "

" is that a fucking body ? "

" look, i'm sorry, okay ? "

" what the hell happened ? "

" before you say anything, it wasn't me. "

" at least it wasn't me this time. "

" look at me. this is who i am, no matter how much you pretend it isn't. "

" look at me. this is who i am, no matter how much you wish it wasn't. "

" i'm not scared of you. "

" you don't scare me. "

" shut up and let me help you. "

" i got your shirt all bloody. "

" let's get you cleaned up. "

" that looks like it hurts. "

" i'm fine, just. . . give me a minute. "

" we are so fucked. "

" what the fuck is wrong with you ? "

" are you gonna help me clean it up or not ? "

" the fucker deserved it. "

" red looks good on you. "

" what the hell did you do ; tap - dance all over the body with ice - skates ? "

" what, did you run over the body with your car a couple times after ? "

" i. . . i didn't mean to. . . "

" sorry. fuck, i'm sorry. "

" this isn't what it looks like. "

" it was an accident. "

" motherfucker ran right into my knife, i swear. "

" people need to look both ways before crossing. . . bullets. "

" would you believe me if i said wrong place, wrong time ? "

" hey, look at me. i don't care. are you okay ? "

" they deserved it, right ? please tell me they deserved it. "

" you're bleeding. "

" what the fuck happened to you ? "

" you're getting blood on the carpet. "

" sit down before you fall down. "

" that looks like a you problem. "

𝚄𝙽𝚂𝙿𝙾𝙺𝙴𝙽 :

sender spits out a mouthful of blood at receiver's feet

sender spits out a mouthful of blood on receiver

receiver finds sender covered in blood

sender tries desperately to stop receiver's bleeding

sender helps receiver clean up after a kill

sender wipes blood from receiver's face with a washcloth

sender wipes blood from receiver's face with their thumb

sender licks receiver's blood off a knife

sender licks receiver's blood off their thumb

sender lights up a cigarette a foot away from someone they killed before offering one to receiver

receiver finds sender stood over a body

sender stitches up receiver's wound [ optional wound placement ]

sender digs their finger into receiver's wound [ optional wound placement ]

sender frantically checks receiver for injuries under all the blood

sender guides receiver's bloody hands under a faucet / water source and begins washing them clean

sender bites receiver hard enough to draw blood

sender tilts receiver's head back to staunch a nosebleed

sender draws a smiley face out of the blood they spilled :)

receiver finds sender cleaning up a kill in a daze

sender looks receiver in the eye as they shoot / stab / kill someone

sender ruffles receiver's hair, getting blood all over their hand

sender gets some of receiver's blood on them and makes a face

sender flicks blood at receiver to annoy them

sender stomps in a pool of blood to splash it on receiver

sender slips in their victim's blood but receiver steadies them before they can fall

sender steadies receiver when they slip in the blood sender spilled

receiver comes home to sender covered in blood and waiting for them with all the lights off

sender spits out a tooth and it hits receiver

sender tries to wipe blood off receiver but the blood on their hands just makes it worse

sender takes an injury meant for receiver

sender shows up on receiver's doorstep covered in blood

sender sits down quietly next to receiver after receiver kills someone

sender punches receiver in the mouth

receiver watches sender lick the blood off their fingers like its cheeto dust

sender helps receiver bury a body

sender hugs receiver just to get their victim's blood all over them <3

sender hugs receiver just to get their blood all over them <3

sender leans on receiver for support

sender kills someone to protect receiver

receiver finds sender in a frenzy maiming a body after they've already killed it

sender kills someone and the blood spatters on receiver

receiver finds sender desperately trying to wash the blood off of themself

sender kisses receiver to taste the blood on their busted lip

sender shoots / stabs receiver non - fatally as a warning

HARD-TO-FIND HURT / COMFORT ACTION PROMPTS.

a selection of some of my favorite underrepresented situations and actions for one of my favorite tropes! feel free to add + REVERSE to any of the prompts to change the situation and provide context as necessary. do not add to this list.  

CRADLE : sender picks up the injured / unconscious receiver and holds them close to their chest, carrying them to safety. 

GUARDIAN : facing down a threat, sender pushes receiver back with an arm, moving to stand in front of them and protecting them with their own body.

TENDER : receiver wakes up to sender caressing them gently; a hand carding through their hair, brushing hair off their forehead, a hand on their cheek, a thumb swiping under their eye.

SHELTER : seeing a threat barreling toward them (such as a storm, the shockwave from an explosion, or a building they’re in collapsing), sender holds the injured / incapacitated receiver close, turning their back to the threat to bear the brunt of the impact instead of the receiver.

FLICKER : sender thinks they’re too late to save receiver and begins to mourn them / sinks in defeat and grief, holding them close, only to find through a simple action (a cough, a twitch of a hand, a murmured word) that they haven’t left them after all. 

DELIRIUM : receiver wakes up to sender’s relief, only for receiver to not believe it’s really sender (that they’re imagining sender or that they don’t think sender would come for them) or that they’re finally safe. 

CONCEAL : both muses have been injured or have fallen ill, though sender keeps their injury / illness secret in favor of taking care of receiver. however, as receiver gets better, sender’s injury / illness worsens from lack of care, and they wind up collapsing, their injury / illness fully revealed. 

GUIDE : sender has been injured, but their skills are needed to help with the muses’ current situation (an escape plan, tending a wound, or diffusing a weapon, for example). sender has to walk receiver through the procedure, all the while trying to stay conscious. 

SAVIOR : receiver is at the mercy of a threat, and all seems lost, only for sender to suddenly burst in and come to their rescue, bearing weapons and all the protective spirit they can muster, to the relief / confusion / anger of receiver. 

LAST RESORT : injured / sick and alone after an encounter with a threat or a run-in with a dangerous situation, sender finds themself at receiver’s door, coming to them because they have nowhere else to go.

sacred romantic moments

“ don’t go. stay. “

“ but you’re here, so stay. “

“ i don’t want to be alone tonight. “

“ just come over. “

“ let’s be alone together. “

“ i didn’t know where else to go. “

“ i don’t want us to be apart anymore. ever. “

“ i wouldn’t have called you if it wasn’t important. “

“ you can talk to me about anything. you know that, right? “

“ just… be honest with me, do you hate me? “

“ i could never hate you. not really. “

“ you’re my friend, but… sometimes i wish you were more than that. “

“ we’re not just friends. you know that. “

“ i think i’m falling in love with you. “

“ can i hold your hand? “

“ yeah, you’re in love with me. “

“ just hold me. “

“ things would be so much easier if we were honest with each other. “

“ why can’t you be honest with me? with yourself? “

“ maybe you could stay? just for tonight? “

“ it’s dark outside, and it’s raining. my arms are much safer. “

“ you can’t keep doing this. you can’t keep lying to yourself. “

“ i can’t keep lying to myself, or to you. it’s not fair on either of us. “

“ i think you should kiss me. “

“ kiss me like you mean it. “

“ just kiss me. “

“ you shouldn’t kiss me right now. “

“ look me in the eyes and tell me you love me. “

“ you can’t lie to me, you know. “

“ you know me better than anyone. you always have. “

“ you’re pretty amazing. you know that, right? “

“ you’re just… you’re extraordinary. “

“ you’re good to me, you know. really good. “

“ you’ve made me the happiest i’ve ever been. “

“ i don’t know what i would have done if you weren’t here. “

“ our love can conquer anything. “

“ and for many generations to come, our love story will live on. “

“ i want you to marry me. “

“ if you asked me to marry you tomorrow, i’d say yes. “ “ what about today? “

“ marry me, name. marry me and make me the luckiest [x] in the world. “

“ your kiss could mend a broken heart. “

“ are you going to kiss me again, or do i have to do it myself? “

“ i could cry, that’s how much i love you. “

“ you’re worthy of my love. “

“ truth is that i’m so damn in love with you that i don’t know what to do with myself. “

“ maybe tonight, it’s you and me. “

“ i don’t know what the future holds. all i know is that i hope you’re in it. “

“ could you promise me one thing? “

“ promise me that we’ll be together, no matter what. “

“ it’s you and me, forever. no matter what. “

“ i didn’t want to tell you until i was sure, but… i’m pregnant. “

“ we’re going to be family! “

“ this baby, it’s the best thing that could ever have happened to us. “

“ i can’t believe this, we’re going to be parents! “

“ dance with me? “

“ may i have this dance? “

“ you’re my whole world, you know. “

“ don’t speak, just… kiss me. “

“ you have no idea how long i’ve been wanting to that. “

“ i’ve been wanting to tell you for so long… “

“ so… is this like, a thing now? “

“ i always miss you, even when you’re next to me. “

” i miss you. i miss you so much it hurts. ”

” i don’t want you to miss me. it’s tearing me apart. ”

“ you make me happier. “

“ i love waking up next to you. “

“ my favorite thing is falling asleep next to you. “

“ come cuddle with me. “

“ this is torture, isn’t it? “ “ not in the slightest. “

“ do you love me? “

“ could this be something more? “

“ move in with me. “

“ do you think we should move in together? you spend all your time here anyway. “

“ are you serious? i’ve had a crush on you for as long as i can remember. “

“ i know you’re in love with me. “

“ you’re really cute, you know. “

“ you’re so damn attractive. you know that right? “

“ if anybody were to kiss me, i would want that person to be you. “

“ and right now, i think you should kiss me. “

her eyes open and they're wide, her heart pounding harshly against her ribs as she hears his voice just outside of the locker. more tears pour down her cheeks as a whimper leaves her, her body trembling with fear. she doesn't understand, what does he even mean by that?! what does— a gasp leaves her as she hears it now; the flapping of wings and the unmistakable caws of a crow. is— is it above the locker she's in? how is that fair?!

there's no way to really win this, is here? she's just going to die here. she's just going to die here and there's nothing she can do about it. the other was too fast to outrun and agatha doesn't even know the way out anyway. all she knows is it has something to do with the generators, which was all she'd given dwight the chance to tell her when she saw the killer and bolted like a frightened rabbit. finally she just opens the locker, her expression one of exhaustion and defeat. " f-fine. j-just... just kill me. g-get it over with. "

"That's the point, bunny. You have to be in pain, that's the whole thing with the trials. You try to run; we hunt you down and kill you or hang you on the hooks." He laughs, watching as she runs once more. The hunt resumes of course… He stalks the new prey, quietly moving as he follows the tracks. Seeing as they vanish now, it seems she took that hint well.

Even then, he knows where she is. At least… he has a good idea. Walking to the locker he stood in front of it now. Crossing his arms over his chest he rolls his eyes. "At least you're learning. Do you know how long you can stay in one spot before she decides to out you?" Frank asks with a laugh. "I'll let you see what I mean… or better yet, hear what I mean."

How sweet the sound, when you burn out,

ㅤㅤㅤㅤㅤㅤㅤLet's get this straight:

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤThe world is GRAY.

indie. sel. multi-muse. ft. ORIGINAL, DBD, and SLASHER muses.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤpuppeteered by BROZI (he/they 30)

AFFLILIATED WITH— @ferociium, @leadxxr, @breakdcwn, @gamenu, @fiorserpen, @historias-multorum