Et Dun Chanson Damour La Mer

Et d’un’ chanson d’amour la mer

A bercé mon cœur pour la vie

it's rosh hashanah, where the hell is homestar runner

iLL jUsT dO a qUicK wArM uP sKeTcH

My ipad bit the dust so have some assassins creed au doodles I saved before the new one gets here

We're so back

(I got into assassin's creed. I'm so sorry for what is about to happen to my art blog)

HORROR’S NEXT TOP GENDER FINALS: Ellen Ripley (Alien) vs. The Xenomorph (Alien)

PROPAGANDA FOR RIPLEY:

"The character of Ripley was originally meant to be played by a man. also pleaseeee if this competition is a bunch of white guys im going to lose it"

"She is so incredibly butch and cool, she has that butch mechanic thing going on"

"The character was originally going to be a man but Sigourney Weaver killed it at the audition so she was hired and not a single line of dialogue was changed. Also, overall, most of the films leave an implication that gender is not very important to the point of being a practically genderless society. Everyone in these movies is too stressed and too busy working under late, late stage capitalism. My point is that Ellen Ripley is definitely (however unintentionally) agender."

PROPAGANDA FOR THE XENOMORPH:

"Is this a "character"? It's a whole species technically but I think it should count. Anyway I know people like to think about them as female and therefore Girlbosses or whatever and I think that's fine, have fun. However, they are obviously an alien species that doesn't adhere to human ideas of gender- or fit into ideas of binary sex if we wanted to think that way, since they reproduce very differently. I am also thinking about how their (very iconic) design incorporates a lot of sexual elements/imagery, and in that way too they mix-and-match and play around with gender. And again they are just so iconic."