cheapsweets - CheapSweets
CheapSweets

Ominous Mayhem Sad Boi - Spotify, 2022

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What If YOU Were A Giant Moray Eel And I Was A Roving Coral Grouper And We Engaged In Cooperative Hunting

what if YOU 🫵 were a giant moray eel 🫣 and I was a roving coral grouper 🤭 and we engaged in cooperative hunting together 😳

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More Posts from Cheapsweets

1 year ago

The Recondite Haesorog

My response to this week’s BestiaryPosting challenge from @maniculum

A pen and ink drawing of a creature surrounded by trees, grass and stylised ferns. It faces the front, has a deers head with two antlers, each with 6 points. Its ears are horizontal, eyes slanted looking towards the viewer with horizontal pupils, and a small shaggy beard.
It has shaggy hair down its neck that continues onto its egg shaped body. It has two legs, the right of which is raised as it it is taking a step forward; there is a faint footprint behind it. Its legs are thin and bare, the knee is obscured by the fur of its body, but it has back-turned ankles that are slighly wider than the rest of the leg, and a foot that terminates in three large birdlike toes, each of which has a small claw. On the lifted foot, there is a glimpse of a fourth smaller, backward facing toe.
In the background and to the right of the picture, there is a hill. Three small figures are walking on the hill; one wears robes and carries a staff and a bag, one is running and pointing, adn the third is kneeling down and shading its face with its hand. There is a dog with floppy ears running alongside them.
Just behind them are two trees; between these trees is another of the creatures that is the focus of the picture; it has disguised itself as a tree by standing one one leg with the other tucked into its fur. Its head and antlers are visible tucked into its body.

Now, I actually have a suspicion what this creature might be - I wasn't deliberately trying to work it out, but when I was throwing around concepts for the drawing, something clicked... If it is what I think it is, it's at the same time a really cool description, with some bits which are wildly out... I didn't pursue that particular line of thinking with my piece this week, but I'm going to be interested to see what this one turns out to be :D

Jinhao shark fountain pen with a fine, hooded nib, with Monteverde Raven Noir ink, over initial pencil sketch. I'm going to do some experimenting with the brush pen and the fude-nib in future pictures again; I appreciate the consistency of the lines that this pen is giving me, but I suspect those other pens would give a little more character to the lines.

As an aside, I'd genuinely encourage anyone looking at these challenges to give it a try; its given me a bit of focus to get back into something I used to enjoy, without too much pressure (both in terms of the time and also this mostly being about fun!)

As ever, reasoning under the cut…

"Ethiopia is the home of a creature called the Haesorog, as large as an ox, with the footprints of an ibis, branching horns, the head of a stag, the colouring of a bear and the same thick coat."

Okay! For such a short description, we've actually got a fairly good amount of detail. Of course, some of it doesn't really make sense together - bird feet with horns and a bear's thick coat? What could be going on here?

I figured that, rather than trying to work out something realistic, I'd actually treat the description at face value as much as possible. As such, we have an ox-sized, deer-headed creature with long, bird legs and feet, covered in shaggy hair! I actually tried to put a bit of deer anatomy into the legs, but they were primarily referenced from ibis photos - I'd set myself on that particular pose, but it was impossible to find a front-facing picture of an ibis with its leg raised (not perfect, but turned out better than I was fearing!)

The horns gave me cause for thought - horns don't tend to branch, but they're very distinct from antlers (antlers being bone, and shed yearly, while horns are covered in a keratin sheath which is not generally shed). In the end, and given the description of it having a deer's head, I went with antlers, specifically taking inspiration from the wapiti (American/Asian elk) and red deer for the grand, branching antlers rather than palmate antlers of the fallow deer I'm most familiar with. I did give them a little texture, as a nod to the horn though.

Charles Knight's Animal drawing was really useful here - the short essays in that book made me consider more carefully some aspects that I wouldn't have just looking at the drawings, including things like ear position, and the general vibe of the animals I was referencing.

Still experimenting with plants and trees for the background - some came out better than others, but I've learned a few more things from this about what does and doesn't work well!

I'm now kinda wishing I'd drawn a fuzzy horned dinosaur for this, but I'm still happy with the directionI went 😅🦖

"It is said that the Haesorog changes its appearance when it is afraid and, when it hides itself, takes on the likeness of whatever is near — a white stone or a green bush or whatever other shape it prefers."

Well, this is cool; an ox-sized animal that is also a master of disguise. You can see my nod to this in the background where a hunting party (plus dog) are walking straight past a Haesorog disguised as a tree...

I did a little look into medieval costume (and dog breeds) from Ethiopia; I know that this is a bit of a catchall term for Sub-Saharan Africa, but it gave me a place to start. Turns out that the figures were too tiny to put in any detail of the clothing (or to make the Ethiopian Highland Dog) distinct, but the history there is fascinating (including Ethiopian delegates to Florence in 1441 being frustrated about the Europeans constantly referring to their kind as 'Prester John' 😆

This seeming magical power of disguise also gave me a couple of extra influences in the style - the forest god from Princess Mononoke, and the goats from that film and from the Nausicaä manga. Not sure how much it came across!


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1 year ago

"Saint Hedwig Discovering that a Nun Has a Hedgehog" 😂 🦔

Saint Hedwig Discovering That A Nun Has A Hedgehog(detail), 1353, Polish. Tempera Colors, Colored Washes,

Saint Hedwig Discovering that a Nun Has a Hedgehog (detail), 1353, Polish. Tempera colors, colored washes, and ink on parchment. 13 7/16 × 9 3/4 in. Getty Museum, Ms. Ludwig XI 7 (83.MN.126), fol. 70v


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1 year ago

This was another really fun one, and loving seeing more cool bugs too!

As an aside, anyone for some taerfleg flavour crisps? 🦔😅

Hedgehog-flavour Crisps: the first novelty flavour?
Museum of Crisps
Hedgehog flavoured crisps were created in 1981 by Phillip Lewis, landlord of the Vaults public house in Welshpool. He created them as a joke

Bestiaryposting Results: Taerfleg

Another obvious one this week, but it seems people are having fun with it. Nothing else for me to add right here, I think, so I'll get right into it. If you're confused by what this is, go check out https://maniculum.tumblr.com/bestiaryposting.

And if you want to see the entry people are working from this week, it's here:

maniculum.tumblr.com
As a reminder, all previous entries in this series can be found at https://maniculum.tumblr.com/bestiaryposting . The Taerfleg is covered in

Art below in rough chronological order:

A drawing in sepia tones of a creature much like a sea urchin, but with a face that looks like a somewhat mammalian version of one of those very flat frogs. Two tube-like appendages rise out of the spines.

@silverhart-makes-art (link to post here) started with the concept of a sea urchin, but decided a face might make it more charismatic. It is a very cute face; I like its vibes a lot. Turning a sea urchin into what appears to be at least a semi-terrestrial creature brings up some interesting etymological stuff also, but we'll get into that at the end of the post. Those tube-like appendages there are an interpretation of the business about "ventilation ducts" in the post -- Silverhart acknowledges that it probably refers to the Taerfleg's nest/burrow/whatever, but that they decided to go this direction instead. The linked post explains that these are breathing tubes the Taerfleg can use when it's submerged in mud, which makes me think of this beast as a frog that's also kind of a stealth caltrop of sorts. Watch your step on those muddy banks.

A sketch of an isopod-like creature with conical spikes spaced along its carapace in a regular pattern.

@sweetlyfez (link to post here) expresses that she doesn't have enough time this week to do something elaborate, but has sketched out this very good spiky bug. I like it a lot, actually -- it kind of looks like what you'd get if the Koopas from the Mario games were based on pill bugs instead of turtles. This one's got spines, so you can't jump on it. Probably rolls up into a very dangerous ball. Also, you know, everyone appreciates a good isopod. The design of the head is nice also -- there's something to the widely-spaced eyes and those two long appendages. (Feelers? Mandibles? Either way it's got a good outline I think.)

A pen and ink drawing of an armoured lizard, in profile facing to the left. It has a blunt head, open jaws with no visible teeth, and a large eye with a heavy brow. Ther are several blunt spikes on the back of its head. The neck is medium length, with five armour plates protecting the upper surface, and tiny scales on the rest. Its back is covered in a row of nine overlapping armour plates, each of which has a number of thorn-like processes. On the second and third armour plates, there is slightly wrinkled grape impaled on the spines. It has long limbs, each of which has five toes with claws on them; the front claws are longer and sturdy looking, as if they are used for digging. The limbs have large, square scales on the top, and smaller scales towards the feet. The tail is a series of nine armour plated segments, each of which has a spiky process on the top, bottom and side. To the left of the creature are two smaller creatures, clearly the same species but drawn in much less detail. One is curled up into a ball with its tail wrapped around it; the other has propped its forelimbs up on another grape and is about to take a bite. There is a mass of fibrous plant material and grass packed in a large hole to the right and behind the creature, completely blocking the hole. The background and floor are indicated by different sized dots of ink, to indicate that this is all within a dirt burrow.

@cheapsweets (link to post here) has given us an interior view of the Taerfleg's burrow -- over on the right we can see a ventilation duct that's been blocked with some kind of plant matter. Their Taerfleg is a spiny lizard, with long limbs to help them remove the grapes from their spines after collecting them. Notable is the attention to detail -- the grape currently on the Taerfleg's back is a bit squashed from being rolled on. I think the lizard looks really cool -- that tail in particular is very well shaped -- and as often happens, I'm blown away by the amount of detailing CheapSweets is doing with a fountain pen. Also please note the babies over there on the left. For a detailed description of the design process, I highly recommend clicking the linked post.

(Also thank you for providing alt text.)

A digital drawing in the style of a medieval manuscript, with an ornate frame and a gold foil background. The drawing shows grapevine leaves and a bunch of blue grapes, around which three spiders are arranged. The spiders are also blue and have spikes on their backs. They only have one pair of eyes. One spider is seen from the side, wrapping a grape in silk. A second spider is seen from the top, climbing down a thread to impale a grape on its spikes. The third spider has a grape on its back and is climbing towards a spider web in the shape of two funnels meeting each other.

@coolest-capybara (link to post here) has again come through with a beautiful medievally-styled piece. These Taerfleg are spiders -- Coolest-capybara notes that "spiders with plant-based diets" and "spiders with spiny carapaces" are both real things, so a type of spider that fits both of those categories isn't out of the realm of possibility. When they're collecting grapes, they wrap them in little spider-silk harnesses, which is neat. I really like the web shown here: we've got a funnel structure, which is what the "ventilation" bit is talking about, and I think the decision to draw it with that kind of knotwork motif is really cool.

(Also thank you for providing alt text.)

A creature that resembles a hairless rodent crouches inside a kind of small armored vehicle. The vehicle has three wheels and a kind of hinged protective covering adorned with spikes. A curtain is visible on the interior of the vehicle.

@pomrania (link to post here) has taken this in what I can only describe as a delightfully whimsical direction: the spiky armor is artificial. Does the little rodent build these things itself? One must assume. This also explains the ventilation ducts -- they're openings in the little armored vehicle it rolls around in. We can see one covered by a curtain on the left there. It... doesn't look pleased that its armor has been opened. Poor little critter.

A drawing of two insectoid creatures with a somewhat ant-like body plan and a spiky carapace, colored in shades of green and black. One is rolling a grape in a manner similar to how a dung beetle rolls dung. The other is curled up into a spiky ball.

@strixcattus (link to post here) has decided to maintain the balance of their bestiaryposting here: last week it was obviously an ant, so they drew a mammal; this week it's obviously a [redacted], so they drew an insect. I think what I like most about this design (besides the fact that it's cute) is that the Taerfleg appears to be doing the dung-beetle rolling thing with that grape. From past experience reading Strixcattus's worldbuilding, I'm guessing that the "attach grapes to its spines" thing is a myth in-universe, and this is its more normal way of gathering grapes. Speaking of which, as usual, it's worth clicking that linked post and seeing the full, more naturalistic interpretation of the Taerfleg that Strixcattus has written.

All right, to the Aberdeen Bestiary:

A medieval manuscript illustration with a pale red decorative border and a gold-foil background. The image is dominated by a very colorful stylized plant, with curling, spiraling branches and multicolored berries. Along the bottom of the image are seven small hedgehogs with fruit stuck on their spines. Six of them are facing the plant, and the seventh seems to be leaping out of the image to the right.

Yes, so we all know these are hedgehogs, but were you expecting to get this whole scene? I bet not. Check out that very good Stylized Plant. If I were to get a Stylized Plant tattooed on myself (which I'm starting to consider, as this whole thing we're doing has shown me how much I'm delighted by them), this one would be high on my list.

The tiny hedgehogs are very cute, though I think the illustrator didn't keep track of how much space they had in the image, because the scale seems off -- the... grapes? on the hedgehogs' backs are maybe half the size of the ones on the plant. It's like the bottom of the image was compressed.

The thing with the hedgehog using its spines to carry food is all over medieval texts and marginalia, by the way. This was apparently widely believed; I'm pretty sure it is not in fact the case, but Pliny the Elder was certain it was, so you know. Who's to say.

Now, let's talk ✨etymology✨.

So the entry lists the beast as having two names: ericius and echinus. (From my cursory look into it, this is a case of Latin borrowing from Greek: ericius is the Latin for "hedgehog", whereas echinus is the Latinization of the Greek word.) The translation dutifully translates them both, into two different English terms.

The first is of course "hedgehog" -- but that's a fairly recent word, actually. The earliest attestation is at the tail end of the medieval period.

The second is the actual etymological descendant of ericius. Latin ericius became Old French herichon, and after the Normans conquered England that made its way into the English language as hurcheon, which then over the centuries became... urchin.

This is what I meant about Silverhart taking a sea urchin and making it terrestrial being an interesting etymological move. The reason they're called "sea urchins" is because there was already a "land urchin": the hedgehog. They're one of those critters that was named after looking kind of like something on land, and it stuck. Most aquatic organisms whose names start with "sea" are a case of this. (Why do people sometimes say "sea anemone" instead of just "anemone"? Because "anemone" is also a type of flower; the creatures are named after the resemblance.)

It's one of those weird flukes that happens sometimes -- English decided to call the land animal something completely different (I think some dialects still use "urchin", but it isn't common) and the connection became less obvious. In a number of other languages, it's preserved; e.g. in Spanish, "hedgehog" is erizo -- also from ericius -- and "sea urchin" is erizo de mar. Boom, done, the etymology couldn't be more clear.

Incidentally, a weird side note: the Aberdeen Bestiary predates the first attestation of either hedgehog (1450) or urchin (1290). So the creators of this manuscript wouldn't have called them by either of the names we've just discussed, but a secret third option. Before the French loanword became standard, hedgehogs were called ile or igil in English -- cognate with German Igel. (Incidentally, in German a sea urchin is apparently Seeigel, so they also know what it's named after.)

Anyway, it's getting late. Enjoy the lovely art and the unnecessary infodump.


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