How To Write REALISTIC And SMOOTH Dialogue

How to Write REALISTIC and SMOOTH Dialogue

In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!

*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***

>> Keep your characters in character:

Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)

Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!

>> Take the situation into consideration:

This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.

If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.

>> Don't take too long with their words:

Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.

If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.

*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***

>> Having a variety of dialogue tags:

This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!

Examples:

Beginning - She tilted her head, "What are you talking about?"

Middle - "Oh," he blinked, "I actually never thought about that."

End - "Wait up!" She exclaimed loudly, waving her hands around.

>> Using no dialogue tags to create a smooth conversation:

Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.

Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.

*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***

Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.

>> Pauses and stutters:

When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.

>> Filler words and slang:

Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!

Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!

*** CONCLUSION ***

Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!

If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!

Happy writing~

3hks <3

Twitter thread by Melissa Caruso about a labyrinthine magical bookstore in Syracuse, NY. Link to the first tweet in the thread; most pictures have image descriptions! Now here are the screenshots of that thread:

And then a hero of the labyrinthine magical bookstores of the world put all the bookstores that people listed in the replies on a map! (Google Maps link)

I'm really tired of the "woman sad about her arranged marriage" trope, especially if that woman is royalty.

I am sure that many women across time were sad about their arranged marriages, but I'm sure a lot of others were excited, ambivalent, or resigned. Again, especially if you were royalty! I am sure if you were born a princess, you were trained from birth that your whole purpose in life was to marry someone important to solidify the power of the person on the throne. And honestly, it's an important job, if it wasn't, they wouldn't have tried so hard to do it.

That woman isn't just marrying another king or prince, she's going to be an ambassador of her country. She's supposed to be there promoting good relations. She isn't just a woman being sold off, she has a job! Also, if she is marrying the reigning monarch (or the heir), she may well end up running the country if the king is off at war or he dies when the heir is really young. That happened a lot throughout history! (or maybe she marries the third son and helps him find his way to the throne. Good for her)

It just feels like a modern sentiment being projected back. In Romeo and Juliet, when Juliet's mother first brings up marrying her to Paris, Juliet's basically cool with it and says she'll try to like him. She would have known this was going to happen because that is what rich women do, they marry into another family so their two families can be buddies. What else would she even be expecting?

It wouldn't bother me so much except that it's all we see! Give me a story about a woman who is like, "Cool, I shall give it my all!" Or she's like rolling up her sleeves and planning how she's going to get the court on her side and rule France, power behind the throne style (these women are mostly portrayed as villains, but who is to say the king would do a better job?). And also, have a little faith in women's fathers? You think men in the past didn't occasionally consider the happiness of their daughters? Not even a little bit?

favorite Bruce Wayne hc of the week: you’re allowed to follow him into the Cave to continue your argument, but he’s going to start undressing and pulling off armor while heading for the showers and if you get an eyeful, that’s on you.

It’s an effective tactic and stops a good 60% of those arguments in their tracks. The remaining 40% are usually intense enough to follow Bruce into the showers and yell at him while he’s casually showering off grime and blood.